Wallace Stevens, The Man with the Blue Guitar, 1937

    I

    The man bent over his guitar,
    A shearsman of sorts. The day was green.

    They said, "You have a blue guitar,
    You do not play things as they are."

    The man replied, "Things as they are
    Are changed upon the blue guitar."

    And they said then, "But play, you must,
    A tune beyond us, yet ourselves,

    A tune upon the blue guitar
    Of things exactly as they are."

    V

    Do not speak to us of the greatness of poetry,
    Of the torches wisping in the underground,

    Of the structure of vaults upon a point of light.
    There are no shadows in our sun,

    Day is desire and night is sleep.
    There are no shadows anywhere.

    The earth, for us, is flat and bare.
    There are no shadows. Poetry

    Exceeding music must take the place
    Of empty heaven and its hymns,

    Ourselves in poetry must take their place,
    Even in the chattering of your guitar.

    VI

    A tune beyond us as we are,
    Yet nothing changed by the blue guitar;

    Ourselves in the tune as if in space,
    Yet nothing changed, except the place

    Of things as they are and only the place
    As you play them, on the blue guitar,

    Placed so, beyond the compass of change,
    Perceived in a final atmosphere;

    For a moment final, in the way
    The thinking of art seems final when

    The thinking of god is smoky dew.
    The tune is space. The blue guitar

    Becomes the place of things as they are,
    A composing of senses of the guitar.

    IX

    And the color, the overcast blue
    Of the air, in which the blue guitar

    Is a form, described but difficult,
    And I am merely a shadow hunched

    Above the arrowy, still string,
    The maker of a thing yet to be made;

    The color like a thought that grows
    Out of a mood, the tragic robe

    Of the actor, half his gesture, half
    His speech, the dress of his meaning, silk

    Sodden with his melancholy words,
    The weather of his stage, himself.

    XI

    Slowly the ivy on the stones
    Becomes the stones. Women become

    The cities, children become the fields
    And men in waves become the sea.

    It is the chord that falsifies.
    The sea returns upon the men,

    The fields entrap the children, brick
    Is a weed and all the flies are caught,

    Wingless and withered, but living alive.
    The discord merely magnified.

    Deeper within the belly's dark
    Of time, time grows upon the rock.